This month we shine the light on a great singer--Haley Johnsen, who recently began working with Mark. An Oregon State grad who sang in college, Haley decide to try out for American Idol this season and impressed the judges enough to make it to Hollywood. With her, rich powerful voice she made it all the way to the semi-finals.
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Singer Spotlight
This category is for all of the singers who have been vocal coached by Mark Bosnian that he wants to spotlight.
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Haley Johnsen June 2012 Singer Spotlight
Nikki Horner March 2012 Singer Spotlight
This month of March, 2012 we shine the light on a great singer--Nikki Horner. Nikki's been studying at Bosnian Vocal Studios since 2007 and has developed into a strong, expressive singer with great range and power.
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Five Tips for Better Singing
Vocal Registration is like an Automatic or Manual Transmission in a Car
The heavy and light registers of every voice (sometimes called “chest” voice and “head” voice or falsetto) can operate automatically as you sing higher or lower pitches and you can learn to manually shift registers to get different sounds. This gives you the option of sounding the way you want to on any given word or line in a song. The Sing Free Now! Method helps you create many choices—not just one sound when you sing.
Singing in pure heavy register with dark vowel color to establish the strength of the voice. I teach you how to make a tone called “dark vowel color” that will allow you to sing higher notes with more ease and control that you ever thought possible. This teaches the body how to set up for high notes and will allow you to then sing them with whatever tone you want (yes, you can intentionally change the tone of your voice.)
Modifying vowels to “oo” as pitches get higher. This technique will help you to sing high notes easier by slightly changing the pronunciation of vowels. The effects of this are dramatic.
Modifying vowels to “ah” as pitches get lower. This technique will give you stronger and more present low notes.
Singing different ratios of balanced registration. You will be able to blend heavy and light register in whatever ratios you want to create more colors on your palette to paint with. Another way to have many options with which to sing—not just one “right” sound that most voice teachers demand you use.
Using Scales of 1-to-10 for the Bridge to Communicate to the Engine Room
If you think of your body as if it were the crew in the engine room of a ship and your mind as if it were the captain of the ship, you can learn to send commands to your body and get the vocal results you desire. I teach you how to assign a number on a scale of 1-to-10 to any vocal element so that the crew in the engine room knows exactly what your intention is. With the Sing Free Now! Method you’ll just have to picture the sound you want and your body will make that sound.
Tell the Story of the Song and Get Your Audience Rooting for You
Through song analysis and dynamics exercises I will show you how to introduce emotion and style to your singing. This allows you to connect the story of the song to your audience--your main job as a singer. If the audience is captivated by your story-telling, perfect delivery becomes less critical and you leave the audience wanting more.
Learning about The Vocal Defense Mechanism and How to Override it
We all have a Vocal Defense Mechanism (VDM) that is a subconscious system working to protect you from harming your voice, from embarrassing yourself, and from working too hard during singing. Singing a loud note, singing a high note, or singing anything that seems in the least bit threatening can trigger this mechanism. It often sabotages your singing, making it harder for you to do what you want with your voice. The Sing Free Now! Method shows you how to override the VDM so that you can sing what you want to sing the way you want to sing it.
Using Interim Sounds vs. Always Going for Performance Sounds
It is often easier and faster for you to develop a performance sound by practicing a sound you would not perform with. This sound may seem unmusical to you at first but it will develop the strength, coordination, and control you need to make the performance sound you want. It will get you to that point more quickly than banging your head against a performance sound that you cannot make at first.
- Singing Tip 1
- Singing Tip 2
- Singing Tip 3
- Singing Tip 4
- Singing Tip 5